jeudi 12 novembre 2009

Fourth Plinth in Trafalgar square



The Fourth Plinth is in the north-west of Trafalgar Square, in central London. Built in 1841, it was originally intended for an equestrian statue but was empty for many years. It is now the location for specially commissioned artworks.
On this platform, I would like to put a big man surrounded with a lots of multicolourd baloons, blowed up with helium. And, I let him on the Fourth Plinth, until he flys away !!! And, after I'll laugh at him ! I think it'll be very very funny ! But maybe a little sadist ... = D

dimanche 8 novembre 2009

Me, Myself and I...





I have a dream: to be able to dance all my life!



Dance is in my body, I love it. When I dance I feel free.


Dance is a balance between me and me.


I love the feeling of my body 'flying'!


                         I love to dance...

Me, myself, and I...






It's so difficult to speak about myself.

It's always hard to 'unveil' yourself.


In this photo,I see a young,happy girl;

It shows one of those moments when I feel
 really good.









I doubt myself quite a lot; this is what this photo shows.There are moments of 'vacuum' when I wonder what I'm doing
here, in this city, and why I didn't follow my friends.

In fact, I ask myself a lot of questions.


The answers I find help me a lot to move on in my life...


And then I know why I'm here, in Aurillac, because I would like to realize my dream: to dance!





dimanche 11 octobre 2009

Pablo Ruiz Picasso


Pablo Ruiz Picasso was born in Malaga in Spain, on October, the 25th of 1881. He was a spanish painter, draftman and sculptor. It's Pablo Picasso who invented the cubism with George Braque, another surrealist. 
Several periods marked his life, like the bleu period, the pink period, the african period, and of course, the cubism period. There was also the period of the surrealism, the period of the civil war in Spain when he painted Guernica, and then there was a period when he got involved in the communist party.
Picasso painted a lot of pictures, among them, there were some auto portraits.


This picture above was realised in gouache. This auto portrait of Picasso was painted during the painter's so called "blue period" (1901-1904). In fact we can notice that, on this portrait, the colour blue was very dominant. This period  reveals that Picasso 's work was at that time marked by old age, death and  poverty. The blue Picasso uses for his pictures was very dark, commonplace, monotonous and, so, very sad. And, when we know Picasso's life, we can understand the origin of these lugubrious pictures. In fact, during this blue period, Picasso had  to overcome the sucide of his spanish friend, Carlos Casagemas. So, his first picture of the blue period was "la mort de Casagemas". The following pictures of this period often describe beggars, blind and poor persons. They are very typical of Picasso's frame of mind in  this period : he was facinated by misery, hurt by disappointments.Therefore we can add, Picasso's Blue Period expresses a lot of melancholy.
When I look at this picture, I see a man. Just a man. He looks sad, morose, a man who lost any hope. He seems very dark. I think his life was a sort of mixture between boring routine and confinment in deep sadness. So, he's imprisoned in the worship of the death, of the misfortunes of life.
If we consider Pablo Picasso's case, we can answer to one of the questions : portraits often reflect a part of the artist's life and are influenced by it.

jeudi 8 octobre 2009

Questions around the exhibition 'La Part de l'Ombre' in Aurillac, October 2009

How come that some artists prefer to show their picture as they are, while others prefer to mask, to deform their work?

Why did the photographer Marc Jourdan choose elderly people as subjects? What does he want to make us feel?

What is the purpose of the picture of Virginie Wood? What's the aim of this strange, sensual atmosphere ?

What do photographers want to achieve when they use photo fragmentation?

Do portraits reflect part of the artist's life?

What's most important for the artist: the aesthetics of their work or what they express?

Do the 'dirty' pictures reveal a traumatism of the artist?

Where does the idea to photograph photographers come from?